Diego Abreu

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Fotorealismus

Konzepte & Ideen

People & Portrait

Retro & Vintage

Sport & Fitness

Tiere

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Conceptual poster on Amazon Rain Forest for POSTed Studio

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Book cover of a boy with a basketball in a small town street by Diego Abreu

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Diego versteht die dramatische Lichtsetzung

Ausdrucksstark, malerisch, cinematisch

Mit seiner fundierten Erfahrung im Bereich Grafikdesign versteht Diego den kreativen Prozess und weiß, wie man wirkungsvolle visuelle Kommunikation schafft. Seine Kunden schätzen es, dass er seinen kreativen Prozess mit ihnen teilt, seine Ideen und seine Energie in jeden Auftrag einbringt und etwas Neues und Anderes schafft. Er arbeitet mit Marken aus der ganzen Welt zusammen. Seine Haupteinflüsse reichen Jahrhunderte zurück und umfassen große Maler wie Rembrandt, Rubens und Caravaggio, obwohl er auch von zeitgenössischen Künstlern wie Sattu Rodrigues, Adhemas Batista und Greg Rutkowski Inspiration schöpft. Diego hat einen Abschluss in Sozialer Kommunikation von der Universidade Federal Fluminense in Rio.

Herangehensweise

Als digitaler Maler verwendet Diego Photoshop und Paintstorm Studio, um handgefertigte Pinselstriche und Schattierungen mit modernen Grafiken zu kombinieren. Sein Prozess beginnt mit der Recherche und dem Antasten an die Komposition und endet mit einem detaillierten fertigen Kunstwerk.

Stil

Diegos Stil ist immer aufregend, ausdrucksstark und farbenfroh, aber das Aussehen und die Stimmung jedes Werks variiert von traditionell und realistisch bis modern und grafisch.

Sprachkenntnisse

Er spricht fließend Portugiesisch und gut Englisch.

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Interview

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Interview

What led you to become an illustrator? I always liked drawing and painting, but I didn't see that I could do it professionally. I ended my working day with graphic design and, often, spent the last hours of the day dedicating myself to illustration for pleasure. Until I started receiving requests from people who saw it and liked it and I realized that I could turn it into something bigger. Did you study illustration in college? Unfortunately, I couldn't study illustration in college. I graduated in Advertising (Social Communication at Universidade Federal Fluminense - UFF) and specialized my training in Art Direction, which was the closest to graphic arts. Where did you grow up? I grew up in quiet neighborhoods of Niterói and São Gonçalo, in the state of Rio de Janeiro, Brazil. I had a simple childhood, but interesting enough, I was very exposed to literature, painting and music. Do you have a childhood memory relating to art that you hold dear? Yes. My influence in drawing and art came from my maternal grandmother. Whenever I visited her, I came into contact with books, drawings and painting. And it was at her house that I painted my first oil painting, when I was nine years old. I have that warm memory in my heart to this day. Describe your studio for us My studio is very simple, I just need my desk with the computer and a space to make my drawings. When I want to paint on canvas, I do it outdoors. I have already lost my drawing material to my children (I think I will soon have two little illustrators here), who, on the other hand, decorate the whole place with their toys scattered around. Who or What is your biggest inspiration? That's a difficult answer. I think what attracts me most are classical artists, the challenges they overcame and what they managed to achieve inspire me a lot. I love cinema, literature and music, and in cinema I appreciate not only the artistic vision, but the process in which things are carried out, especially in older films. There are also many illustrators who inspire me from the past to today, and I invest time in understanding their vision and technique; I think this fuels my creativity and teaches me a lot. If you could collaborate with another artist or creative of any genre, living or dead, who would it be? Wow, I could fill out a huge list. Among the ancients, I think the first is Rembrandt, and if I can cheat, I would add Caravaggio. Among the living I would choose an illustrator, Sattu Rodrigues, I love his work. If you were funded for a dream artist residency, where would you go, and what would you create? I think I would go to Europe. I would immerse myself as much as I could in the great painters. And let's just say there's a lot of inspiration there. Is there a work lesson you’ve had to learn the hard way? In recent years I made the transition from what I worked before to dedicate myself fully to illustration. I spent a long period of very intense work. I think the big lesson I learned from this is that we don't live to work, we just work to live better. We need to have time for ourselves, for our family, to enjoy what we love. What's your most prized possession and why? It's definitely my family. What causes are you passionate about? I think responsibility with our consumption, thinking about the impact of our actions. And also respect for others. I believe this sums up many of the causes of our time. If I transmit a little of this with my works, I will feel victorious.How do you separate your work life from your home life? It's hard to do this when we work from home. I tend to get very involved with work, but I've been making an effort to delimit each space a little more to separate things. Do you collect anything? I'm slowly building a small library. I have also invested in board games. What do you listen to when you work? I always hear something. Whether it's news, a podcast, a documentary or a music playlist, sound is part of my concentration and creativity process and very much reflects my feeling at that moment. Who is your art hero? I think I have phases. I was fascinated by Rembrandt for a long time (still am), I also greatly admired Peter Paul Rubens. But at the moment I'm diving a lot into Norman Rockwell's work. Who is your design hero? Adhemas Batista, without a doubt. If you were not an illustrator, what would you be? I would be less happy? I worked with graphic design and photography for many years, maybe that would be the realistic path. On the other hand, I would also be very happy as a writer. If you could visit anywhere in the world, where would you go? I would like to know more places in Brazil. How would someone who knows you well describe you? Maybe some people around here describe me as an old man in a “still” young body, but also as funny and good to talk to. What is your go-to comfort food? Thinking about the word comfort, I would say Chocolate. What movie can you watch over and over? A film that marked my childhood was Jurassic Park, I could watch it many more times. But there are works like Seven, Star Wars, the Brazilian “O Auto da Compadecida”, Life of Pi, Whiplash, the trilogy “The Lord of the Rings”, almost all of them by Scorcese, better to end the list here! What was the last exhibition you saw and loved? I wouldn't say an exhibition, but a theme. Not long ago I took a course on Modern Art that completely changed my paradigms. I was able to have contact with an incredible universe that was completely unknown and see the creative processes of famous artists, realizing the tangle of influences that Occidental and Oriental arts had on each other, in short, it was very enriching. I strongly recommend this topic of study to anyone interested. What is your favourite book? Moby Dick. For me, it is a masterpiece and something extremely engaging. Gates of Fire was also a book that moved me in a different way, given the dedication of those characters. Jurassic Park was very fun and interesting. I've been reading a lot of Bernard Cornwell lately. The universe of literature is very vast and unfortunately neglected. There are incredible works that can mark our lives. What career advice would you give your younger self? Don't despise what you do with pleasure. Dedicate yourself to this and you will be happier. Do you have any tips/advice for other illustrators? I would say my tip is to consume a lot of art and exercise your critical eye. I think that a critical eye provides us with a lot of learning. When we self-criticize, we give ourselves the chance to improve ourselves and refine our Work. When we critically consume the work of others, we can learn new concepts and paths to follow in our processes.

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